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Projects
- Coming Home
- Screen City Biennial, Stavanger Norway
- Portal to an Alternative Reality, Emerson Urban Arts
- The Augmented Landscape
- Everywhere but Nowhere
- Paseo Portal, Securing the Virtual Border
- Art Prospect
- apexart, Space Between the Skies
- ZERO1 American Arts Incubator
- LACMA Art + Technology, EEG AR: Things We Have Lost
- Art in Odd Places, 14th & AR, New York City
- Border Memorial: Frontera de los Muertos
- Metro-NeXt
- LACMA, Hans RichtAR
- Orators, Rostrums, and Propaganda Stands
- Flotsam & Jetsam
- School Shootings eMorial
- SFMOMA AR
- Platonic Solids
- American Plutocracy
- Water wARs
- Monument to César Chávez
- Monumento a las Mujeres Desaparecidas
- La Loteria Aumentada
- Mapping Ararat
- Metro-NeXt
- Peace Doors
- DéchARge de Rebut Toxique
- Azadi SquARed
- U.S. Iraq War Memorial
- Virta-Flaneurazine
- Imaging Place
- Early Work and Influences
Exhibitions
Press
Publications
- Public Art Dialogue, Special Issue, Digital Public Art
- “Border Memorial: Frontera de los Muertos,” Hyperrhiz 12
- “ManifestAR: an augmented reality manifesto,” SPIE
- “Miami Virtue and the Ulmer Tapes,” Small Cities Imprint
- “The Ulmer Tapes”
- ” Imaging Place: The Choragraphic Method,” Rhizomes, Vol. 18.
- “Place and the Electrate Situation,” Rhizomes, Vol. 13.
- “Image Emergency: A Psychogeography of Miami,” Leonardo, Vol. 36, No. 3, pp. 197 – 198.
Archives
Categories
Category Archives: Publications
Augmented Reality: Innovative Perspectives across Art, Industry, and Academia
Sean Morey and John Tinnell, Augmented Reality: Innovative Perspectives across Art, Industry, and Academia, Parlor Press, Anderson, South Carolina, 2017, pp. 284–291.
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L.A. Re.Play Volume 21 No 1
L.A. Re.Play: Mobile Network Culture in Placemaking, Leonardo Electronic Almanac, Volume 21 Issue 1 ISBN: 978-1-906897-36-9 ISSN: 1071-4391 Date of Publication: January 15, 2016 Number of Pages: 244 Special Issue Editors: Lanfranco Aceti, Hana Iverson and Mimi Sheller Editorial Manager: … Continue reading
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Encyclopedia of Aesthetics, Second Addition
Edited by Michael Kelly Augmented Reality by Horea Avram
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The Politics of Haunting and Memory in International Relations
Jessica Auchter, The Politics of Haunting and Memory in International Relations, Routledge, New York and London, 2014. p. 104.
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Augmented Reality Art
From an Emerging Technology to a Novel Creative Medium Series: Springer Series on Cultural Computing Geroimenko, Vladimir (Ed.) ISBN 978-3-319-06202-0 Written by a team of world-renowned artists, researchers and practitioners – all pioneers in using augmented reality based creative works … Continue reading
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LEA, Not Here Not There, Volume 19 Issue 2
Conents Spatial Art: An Eruption of the Digital into the Physical, by Simona Lodi This text analyzes the work of artists who use augmentation, information and immersion in specific contexts – public or private spaces – with or without authorization. … Continue reading
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PAD: The Culture of Remembrance
Public Art Dialogue Memorials 2 – The Culture of Remembrance Vol. 3, No. 1, 01, March 2013 Routledge, London. Artist’s Project Border Memorial: Frontera de los Muertos John Craig Freeman Border Memorial: Frontera de los Muertos is an augmented reality … Continue reading
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Unsitely Aesthetics
Surface Tension Supplement No. 6: Unsitely Aesthetics: Uncertain Practices in Contemporary Art, Maria Miranda In Conversation: John Craig Freeman, Scott Kildal & Victoria Scott and Michael Takeo Magruder with Jo-Anne Green and Helen Thorington (Turbulence.org), Berlin: Errant Bodies Press, (2013), … Continue reading
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Creative Capital, On Our Radar
Emerging Fields Digital Arts John Craig and Mark Skwarek Border Memorial: Frontera de los Muertos is an augmented reality public art project and memorial, dedicated to the thousands of migrant workers who have died along the U.S.-Mexico border in recent … Continue reading
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College Art Association 2012
College Art Association, 100th Annual Conference Public Art in the Virtual Sphere Sponsored by the Public Art Dialogue Christiane Paul, Ben Rubin and John Craig Freeman, Photo by Vaneeesa Blaylock. Thursday, February 23, 2012, Los Angeles Convention Center, 1201 S. … Continue reading