The Honeymoon’s Over: Reflecting on the Internet Utopianism and the Arts

The Civic Beat Reader

An Xiao Mina and Ben Valentine, with Dorothy Santos

A couple weeks ago, Ben Valentine and I (An Xiao Mina) had a chance to speak at the Yerba Buena Center’s Dissident Futures Art and Ideas Festival alongside arts/tech writer and researcher Dorothy Santos. Our topic was, simply, “The Honeymoon’s Over—Arts and Culture Criticism in the Age of Networked Power”, a look at utopian narratives about the internet and how to critically evaluate them. Read more.

During the presentation, one of the individuals I (Dorothy Santos) focused on was new media artist John Craig Freeman. He uses augmented reality in his artistic practice, which is heavily used by advertisers to overlay landscapes and buildings with branding for marketing purposes. But Freeman uses this technology to interrogate the politics of space. Essentially, anyone with a smartphone and the internet can find out about the objective and purpose of each of his interventionist projects.

About John Craig Freeman

John Craig Freeman is a public artist with over twenty years of experience using emergent technologies to produce large-scale public work at sites where the forces of globalization are impacting the lives of individuals in local communities. His work seeks to expand the notion of public by exploring how digital networked technology is transforming our sense of place. Freeman is a founding member of the international artists collective Manifest.AR and he has produced work and exhibited around the world including at the Los Angeles County Museum of Art, the San Francisco Museum of Modern Art, FACT Liverpool, Kunsthallen Nikolaj Copenhagen, Triennale di Milano, the Institute of Contemporary Art Boston, and the Museum of Contemporary Art Beijing, He has had work commissioned by the ZERO1, Rhizome.org and Turbulence.org. His work has been reviewed in The New York Times, El Pais, Liberation, Wired News, Artforum, Ten-8, Z Magazine, Afterimage, Photo Metro, New Art Examiner, Time, Harper's and Der Spiegel. Christiane Paul cites Freeman's work in her book Digital Art, as does Lucy Lippard in the Lure of the Local, and Margot Lovejoy in Digital Currents: Art in the Electronic Age. His writing has been published in Rhizomes, Leonardo, the Journal of Visual Culture, and Exposure. Freeman received a Bachelor of Art degree from the University of California, San Diego in 1986 and a Master of Fine Arts degree from the University of Colorado, Boulder in 1990. He is currently a Professor of New Media at Emerson College in Boston. Freeman writes, “If Andy Warhol set out to create a distinctly American art form in the twentieth century, I identify with those who seek to create a distinctly global art form in the twenty-first.”
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