Author Archives: John Craig Freeman

About John Craig Freeman

John Craig Freeman is a public artist with over twenty years of experience using emergent technologies to produce large-scale public work at sites where the forces of globalization are impacting the lives of individuals in local communities. His work seeks to expand the notion of public by exploring how digital networked technology is transforming our sense of place. Freeman is a founding member of the international artists collective Manifest.AR and he has produced work and exhibited around the world including at the Los Angeles County Museum of Art, the San Francisco Museum of Modern Art, FACT Liverpool, Kunsthallen Nikolaj Copenhagen, Triennale di Milano, the Institute of Contemporary Art Boston, and the Museum of Contemporary Art Beijing, He has had work commissioned by the ZERO1, Rhizome.org and Turbulence.org. His work has been reviewed in The New York Times, El Pais, Liberation, Wired News, Artforum, Ten-8, Z Magazine, Afterimage, Photo Metro, New Art Examiner, Time, Harper's and Der Spiegel. Christiane Paul cites Freeman's work in her book Digital Art, as does Lucy Lippard in the Lure of the Local, and Margot Lovejoy in Digital Currents: Art in the Electronic Age. His writing has been published in Rhizomes, Leonardo, the Journal of Visual Culture, and Exposure. Freeman received a Bachelor of Art degree from the University of California, San Diego in 1986 and a Master of Fine Arts degree from the University of Colorado, Boulder in 1990. He is currently a Professor of New Media at Emerson College in Boston. Freeman writes, “If Andy Warhol set out to create a distinctly American art form in the twentieth century, I identify with those who seek to create a distinctly global art form in the twenty-first.”

EEG AR: Things We Have Lost, Basel

John Craig Freeman, with Lena Jermann Virtuale Switzerland, Basel Exhibition: 19 June 2014 to 28 September 2014 Opening: 4 to 7 pm, Thursday 19 June 201 EEG AR: Things We Have Lost allows participants to conjure up virtual objects by … Continue reading

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AR[t] magazine, Augmented Reality, Art and Technology

Issue 5, May, 2014 The fifth issue of AR[t] magazine is available online or it can be downloaded. In this issue, the magazine looks at AR from various perspectives, however, the articles do have a common denominator: the future of … Continue reading

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Rocky Flats Then and Now: 25 Years After the Raid

Arvada Center for the Arts and Humanities On June 6, 7, and 8, 2014 The extraordinary June 6, 1989 FBI and EPA raid on the Rocky Flats nuclear weapons plant was the beginning of the end for that large, nationally … Continue reading

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Mapping Culture: Communities, Sites and Stories

Centro de Estudos Sociais (CES) University of Coimbra, Portugal May 28 – 30, 2014 The International Conference Mapping Culture: Communities, Sites and Stories will explore both conventional and alternative approaches to mapping cultures and communities in an international context. EEG … Continue reading

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Metro-NeXt+

Zürich meets New York Vanderbilt Hall, Grand Central Terminal, New York, NY May 17th – 22nd, 2014 Curaition: Arthur Clay, DAW Inernational Researchers: Marc Pollefeys, ETH Zurich Participating Artists: John Craig Freeman, Caroline Bernard, Lalie Pascual, HR Giger, Lorenz Meier, … Continue reading

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Announcing LACMA’ s Art + Technology Lab Artist Grant Awards

Last December, LACMA announced the new Art + Technology program and issued the first call for proposals. By the end of January, they had received more than 450 proposals from artists, architects, designers, and developers from all over the world, … Continue reading

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Monument / Anti-Monument, Sculpture City Saint Louis 2014

April 9 – 13, 2014 Saint Louis, MO Monument / Anti-Monument is an international conference that will bring together artists,art historians, curators, academics, architects, urban planners, designers, archaeologists and other experts to explore contemporary thinking about the intersection of sculpture … Continue reading

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Augmented Reality Art

From an Emerging Technology to a Novel Creative Medium Series: Springer Series on Cultural Computing Geroimenko, Vladimir (Ed.) ISBN 978-3-319-06202-0 Written by a team of world-renowned artists, researchers and practitioners – all pioneers in using augmented reality based creative works … Continue reading

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L’esposizione come “spazio aumentato”: Hans RichtAR e l’exhibition design negli anni ’20

Cinergie. Il cinema e le altre arti Elisa Mandelli Hans RichtAR non è un errore di battitura, ma il titolo di un’opera d’arte in realtà aumenta (augmented reality, abbreviata con AR, da cui il gioco di parole)1 realizzata nel 2013 … Continue reading

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DC Art Science Evening Rendezvous (DASER)

National Academy of Sciences Thursday, March 27, 2014, 6 p.m. Keck Center, 500 Fifth St., N.W. D.C. Art Science Evening Rendezvous (DASER) is a monthly discussion forum on art science projects in the national capital region and beyond. DASERs provide … Continue reading

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