ManifestAR @ LA Re.Play

LA Re.Play, an Exhibition of Mobile Art in conjunction with Mobile Art: The Aesthetics of Mobile Network Culture in Placemaking during the College Arts Association Annual Meeting, Los Angeles, February 22-29, 2012

Co-curators: Hana Iverson, Visiting Scholar, Rutgers, The State University of New Jersey, Dr. Mimi Sheller, Director, Center for Mobilities Research and Policy, Drexel University and Jeremy Hight, independent artist and curator

Opening reception at CAA Convention Center LA Re.Play Hub Location, Wednesday, February 22, 5:30 – 7:30 PM

Reception: DMA Grad Art Gallery, Broad Art Center, UCLA, Friday, February 24, 6:00 – 8:00 PM

Mobilizing Los Angeles as a place to play and a place in play, LA Re.Play presents leading international artists working with mobile and geolocated media. The exhibit accompanies the double session presentation on Mobile Art: The Aesthetics of Mobile Network Culture in Placemaking, co-organized by Hana Iverson and Mimi Sheller for the College Arts Association 2012 conference, as well as an off-conference roundtable City/Space and Creative Measure, moderated by Jeremy Hight at the Art Center. Playing upon the dynamic relations between physical place, digital space, and mobile access via smartphone, we explore art that incorporates cell phones, GPS and other mobile technology, revealing the complex social, political, technological and physiological effects of new mixed reality interactions.

More on the Project Page.

Press

Roberta Bosco and Stefano Caldana, Otra realidad es posible, El Pais.

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About John Craig Freeman

John Craig Freeman is a public artist with over twenty years of experience using emergent technologies to produce large-scale public work at sites where the forces of globalization are impacting the lives of individuals in local communities. His work seeks to expand the notion of public by exploring how digital networked technology is transforming our sense of place. Freeman is a founding member of the international artists collective Manifest.AR and he has produced work and exhibited around the world including at the Los Angeles County Museum of Art, the San Francisco Museum of Modern Art, FACT Liverpool, Kunsthallen Nikolaj Copenhagen, Triennale di Milano, the Institute of Contemporary Art Boston, and the Museum of Contemporary Art Beijing, He has had work commissioned by the ZERO1, Rhizome.org and Turbulence.org. His work has been reviewed in The New York Times, El Pais, Liberation, Wired News, Artforum, Ten-8, Z Magazine, Afterimage, Photo Metro, New Art Examiner, Time, Harper's and Der Spiegel. Christiane Paul cites Freeman's work in her book Digital Art, as does Lucy Lippard in the Lure of the Local, and Margot Lovejoy in Digital Currents: Art in the Electronic Age. His writing has been published in Rhizomes, Leonardo, the Journal of Visual Culture, and Exposure. Freeman received a Bachelor of Art degree from the University of California, San Diego in 1986 and a Master of Fine Arts degree from the University of Colorado, Boulder in 1990. He is currently a Professor of New Media at Emerson College in Boston. Freeman writes, “If Andy Warhol set out to create a distinctly American art form in the twentieth century, I identify with those who seek to create a distinctly global art form in the twenty-first.”
This entry was posted in Augmented Reality, Exhibitions, Manifest.AR, Public Art. Bookmark the permalink.

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